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The Carter House x Studio Yuda

Emily Quirk September 16, 2024

Carter Avenue | East Nashville | Studio Yuda

This unconventional, minimalist, modern marvel of a home on Carter Ave feels like a well-kept secret — serene and understated, tucked back and away on an unassuming side street in an East Nashville neighborhood, a few blocks from my own home. It’s unlike its neighbors, it’s recessed into privacy, and strikes a balance of aesthetics both bold and understated. It’s discreet without being shy, with strong geometric shapes, clean lines, and natural materials that lend an organic warmth to its upscale presence. It feels well-integrated into the landscape, with earth-toned accents complementing the surrounding greenery, where simplicity and elegance coexist effortlessly.

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A vibrant cherry red mailbox marks the address, with a long gravel driveway that snakes down the property line. A curious, small wooden studio sits to the side, its cube-like form adorned with a singular porthole window that teases glimpses of the artful interior—a vibrant pop of golden yellow hinting at the creativity within. High above and beyond the studio, large, airy, sundrenched windows peek over the 15 foot tall facade of soft ivory brick and flood the interior with natural light. Every element of the design feels intentional and harmonious. 

As my Jeep rolls up and crunches the gravel beneath the tires, I enter an architectural oasis of serenity and minimalist design. I’m here at high noon, just as the south facing sun gives its strongest kisses. An afternoon thunderstorm is rolling in while it is 98° outside in the middle of August and I’m trying to avoid a sunburn.  The swimming pool, tucked on the back north side of the house, eagerly awaits the overhead sun for its most vibrant warmth. Minimal, thoughtful, and playful landscaping is sprinkled across the property. I tread lightly down the stone path in the grass to unveil the front door, as a gorgeous, unobstructed entryway unfolds before me into the courtyard, brimming with late-summer blooms, before the soaring wooden threshold. A single wrought iron chair and a weeping cherry tree invite moments of solitude, contemplation, and sun salutations.  

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Around back, a secluded and spacious yard is shaded by the outstretched branches of a single, massive generations-old oak tree. A rectangular swimming pool extends from the house, creating a seamless flow from the indoors to the outdoors. Lounge chairs, white umbrellas, and wildflowers evoke sensations of relaxation poolside, once again finding balance in new corners. 

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This homestead brings me so much peace in my small time in its presence. It feels as if it should exist in a sprawling landscape, perhaps nestled into the foothills of a desert with mountains rising beyond the backyard. Yet here it stands, tucked into a bustling urban neighborhood, surrounded by ranch homes from the 1950s, bungalows from the early 20th century, and budding new builds abound. I hope this home inspires fellow neighbors to pause, take in its powerful aesthetic, and get curious about the possibilities of your own home. It’s a reminder that architecture is for us, to live and exist within and around. 

Tags architectural photography, architecture, architectural, modern architecture, East Nashville, Rosebank, Carter House, The Carter House, pool, pool photography, pool design, neighborhood, architectural photographer, emily quirk, Nashville, Tennessee, contemporary, contemporary architecture, minimal, minimalist, natural, natural elements, thoughtful design, architectural design, art studio, artist studio, studio design, intentional design, red mailbox, cherry red mailbox, gravel driveway, summer storm
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Billie Eilish & Finneas recording Live in the Blue Room at Third Man Records

Billie Eilish & Finneas recording Live in the Blue Room at Third Man Records

Shhh... Billie Eilish Intimate Secret Show at Third Man Records

Emily Quirk November 13, 2019

FEATURED IN :

ROLLING STONE

NASHVILLE SCENE

PITCHFORK

SPIN

BILLBOARD

VARIETY


Words combined from stories by Charilie Zaillian (Rolling Stone) and Laura Hutson Hunter (Nashville Scene)

“On Wednesday night, the 17-year-old pop phenom born Billie Eilish Pirate Baird O’Connell played a secret show at the Blue Room in Jack White’s Third Man Records. It was an invitation-only affair that brought out lots of music-biz insiders and performers — among them Jason Isbell, the Watson Twins, Bully’s Alicia Bognanno, Michelle Branch, Vanessa Carlton, Tristen and others — as well as a smattering of superfans who gathered near the front of the stage.

As with many of the Blue Room shows, Eilish and O’Connell’s performance was recorded direct to acetate for a record to be released via Third Man. The vinyl version of the recording will be available in December at TMR's locations in Nashville and Detroit, with a limited-edition version (featuring splatter paint artwork by Eilish) available to the attendees only — the invite-only crowd — a Venn diagram of local scenesters, industry types and mom-and-dad-of-the-year-candidates with kids in tow.

When Eilish looked up into the audience, her posture changed, her eyes sparkled. Onstage she isn’t a timid teen — she’s an international superstar. Her brother and collaborator Finneas O'Connell was at her side, switching between guitar and keys throughout the set.

Where a full-scale Eilish concert is a maelstrom of macabre visuals, seizure-inducing lights and screaming teen admirers, at Third Man she was freed from having to simultaneously work a giant stage, hype up an audience and sing the songs. The Blue Room’s “recording” light flipped on — the stakes got higher, the safety net was gone, and it was time for the audience to share responsibility for making the record. The stage lights turned red, and Eilish moved into elemental versions of the mischievous, vaguely menacing “All The Good Girls Go to Hell” and “Bury a Friend”, which elicited rapturous call-and-response from those up front; for the neo-soul-styled “idontwannabeyouanymore,” meanwhile, and “Come Out and Play,” a heartstring-tugging standout, there was pin-drop quiet.

She laughed her way through a minor flub in the chorus of “Bad Guy,” and the front-row fans cracked up with her as she brushed it off with ease. Calling that one an audience favorite might be an understatement — members of Eilish’s young, rabid fan base down in front reacted gleefully (and loudly) to that one. But instead of trying to manage the crowd, Eilish leaned into their wildness, no longer a performer in a high-stakes recording session and instead an increasingly charismatic show woman.

During the break between recording her A and B sides, Eilish turned to the audience with an awareness of how awkward it felt to pause a performance right in the middle. “So, how’s your day?” she asked. Her face changed as she recognized a fan in the front row: “Oh my God, you brought me a puppy once! How’s he doing?” Another fan said this was their 11th time seeing her perform.

In a September  issue of The New Yorker, Michael Schulman wrote an article about fandom. A line from that story — “At its core, fandom is a love story” — kept coming into my mind throughout the show. Billie Eilish is an incredibly talented singer with an uncommon range and vocal control. The vocals on set-closer “When the Party’s Over” span three octaves. “I Love You,” which Eilish described as “long and sad,” has a climbing melody similar to that of Leonard Cohen’s “Hallelujah.” But she’s not Celine Dion-ing her way through these songs, laying on melismatic flourishes. Her songs are more complex than most pop music tends to be.

Before closing the show, Eilish thanked Jack White for “inspiring a whole generation to do what they want.” I can’t think of a more succinct affirmation.”

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Set List

Wish You Were Gay

All The Good Girls Go to Hell

Ocean Eyes

Bad Guy

Idontwannabeyouanymore

Bury a Friend

Come Out and Play

Copycat

I Love You

Bellyache

When the Party’s Over

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Tags Billie, billie eilish, Billie Eilish, emily quirk, Emily Quirk, Finneas, Finneas O'Connell, Third Man, Third Man Records, Third Man Nashville, Nashville, Tennessee, Billie Eilish Third Man, Billie Eilish Third Man Records, billie eilish third man, billie eilish third man records, Live in the Blue Room, direct to acetate, the blue room, Jack White, jack white, jack white third man, jack white third man records, jack white's third man records
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STARCRAWLER

STARCRAWLER

Starcrawler Casting Spells at Third Man Records

Emily Quirk November 7, 2019

SEASON OF THE WITCH x HALLOWEEN AT THIRD MAN RECORDS

STARCRAWLER | JACUZZI BOYS | BBYMUTHA | KENT OSBOURNE | HEAT TAPE

Full story + gallery over at Nashville Scene !

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S T A R C R A W L E R

T H I R D M A N R E C O R D S

N A S H V I L L E , T E N N E S S E E

Tags Starcrawler, DE WILDE, De Wilde, Jack White, Third Man, Third Man Records, Halloween, Arrow De Wilde, arrow de wilde, TMR, The Blue Room, Nashville, Tennessee, Nashville Tennessee, Third Man Nashville, Emily Quirk, emily quirk, music photographer, Season of the Witch, LA, Los Angeles, California
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Delorean-Dee-Gingko-Emily-Quirk

Delorean 1982: In Honor of Dee

Emily Quirk August 12, 2019

In honor of my grandmother, Dee Quirk

Thanks to my dad, Jaan, and Robbie

a dream vision becomes reality

shot on 35mm film

nashville, tennessee

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Tags Emily Quirk, nashville photographer, Nashville Tennessee, film, 35mm, 35mm film, Delorean, Delorean Motor Company, Jeffrey Campbell, Urban Outfitters, fog machine, smoke machine, smoke and flashes, Jaan Cohan, Robbie Stillwell, gingko, gingko leaf, gingko tree, Dee Quirk, urban outfitters, utopia, redhead, redheaded girl, long hair don't care, equirk, emily quirk, Nashville, nashville music photographer, delorean, DMC, Delorean Motor Co, 35mm Film, film photography, film photographer, Robbie Stillwe, Robbert Stillwell, robbie stillwell, robert stillwell, jaan cohan
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BILLIE

Emily Quirk August 12, 2019

B I L L I E E I L I S H

WHEN WE ALL FALL ASLEEP TOUR 2019

NASHVILLE TENNESSEE

Shot for the Nashville Scene, all photos online

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Tags Billie, Billie Eilish, Emily Quirk, Nashville, Nashville Tennessee, Ascend, Ascend Amphitheater, nashville photographer, nashville music photographer, When We All Fall Asleep, When We All Fall Asleep Tour, equirk, emily quirk, billie eilish
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Tame Impala ~ Nashville

Emily Quirk May 16, 2019

Tame Impala swimming in daydreams in Nashville, Tennessee, diving into an unforgettable Thursday night performance.

“You guys look beautiful, the city looks beautiful, you smell beautiful.”

Photos by yours truly up on the Nashville Scene and in the May 9th weekly print issue.

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Tags Tame Impala, Kevin Parker, Spinning Top, Australia, Perth, Ascend, Ascend Amphitheater, Emily Quirk, Nashville Tennessee, Tame, Patience, lucid, tame impala, equirk, emily quirk, kevin parker, Nashville, nashville photographer, nashville music photographer, music photography, music photographer
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Mardi Gras

Mardi Gras

Laissez Les Bon Temps Rouler!

Emily Quirk April 30, 2019

NEW ORLEANS, LOUISIANA

Down at Mardi Gras this year, I had myself a ball & a biscuit of a time, soaking up sunshine, snappin’ away left and right, sippin’ on lemonade shandies, and stuffing myself with seafood (and po-boys) at every opportunity. A beautiful, blissful week of costumes, libations, friendship, and parading through my favorite streets and old haunts. I spent all of Mardi Gras day dressed head to toe as a rose garden, an homage to my time spent living in New Orleans, the city where I fully blossomed into my true self.

I drove home with not one, but two, full size king cakes in my passenger seat to prolong the sweet celebrations as long as reasonably possible, as well as a couple bags of fresh coffee beans from the French Truck. Now I’m able to wake up with a little taste of New Orleans from the comfort of my own home, at least for a little while.

Upon my return home after three weeks of traveling, I came to discover upon developing my film that my once-trusty point and shoot camera had been a little shaken up, maybe took one too many rough and tumbles, as mysterious black borders and lines unknowingly appeared across multiple rolls of film. At first glance of the negatives, I felt the onset of heartbreak as I realized some photos would be completely lost to time. I paused, took a moment and some deep breaths, and allowed myself to embrace the abstract framing and the creative decisions it allowed me to make with my final photos, lending a hand to the creativity and freedom that bleeds out of the soul of the city of New Orleans.

I’m learning from this as it’s a beautiful little reminder to always be present in the moment and to remember that life ain’t always perfect. It’s not always gonna be what you expect. It’s a little rough around the edges, and you’ve gotta embrace the beauty inside of what you do have and are able to experience.

Laissez les bon temps rouler, they say!

until next year ~

xo

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Tags New Orleans, Mardi Gras, film, art, NOLA, 2019, French Quarter, rose garden, emily quirk, new orleans, New Orleans French Quarter, equirk, mardi gras, new orleans photographer, new orleans photography, film photographer, film photography, 35mm, 35mm film, new orleans film photographer
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Five Years of #SXSHESHREDS

Emily Quirk April 10, 2018
“Those who have ever been to a She Shreds show before know the drill: community first, everyone is welcome, and no one is “good for a girl”, they’re just good. Fans and musicians come to our shows to be surrounded by people they love and look up to in an environment that in other contexts might be controlled by corporations. This necessity to be surrounded by an alternative yet necessary perspective on the music industry, one that celebrates diversity and identity is what fosters the spaces that She Shreds creates—no one can stop us from honoring that.”
— Fabi Reyna, Editor in Chief, She Shreds

I'm honored I was able to be a part of the She Shreds SXSW experience this year. I was involved with the one two years ago, as well, but this one was especially... special. Originally, the day was supposed to be at a space called Kinda Tropical - an old gas station convenience store turned cafe and small local market with cool teas, local beers, iced coffee on tap, and breakfast tacos. Everything was beautiful - the aesthetic could not have been more ideal and She Shreds had swagged up the place with decor, merch, cacti, banners, prayer flags, gender neutral bathrooms, and a breezy little stage on the back patio. The sun was beaming, and Shamir took the stage as I sipped the first few sips of my extra strong, bone chilling iced coffee as I began to shoot photos for the day.

And then... barely 30 minutes into the set, cops appeared and began roaming around the scene, eventually shutting us down due to a double whammy of overcapacity and unknown lack of a permit from our venue. Everyone lingered around like "Whaaat" for about the length of time that it took to make some phone calls, secure a new location, pack up all the merch, the gear, and relocate EVERYONE - the whole dang crew of show-goers and show-players. The Sahara Lounge saved the day in under 45 minutes. The show must go on!

Everyone packed into the teeny tiny super cozy bar that smells of old (and new) Lonestar beer. Like 500 bodies. A whole community. We were still all in this together, no one was letting anyone give up. The bands played on, and the day evolved into it's own beautiful success story. I was there to document the whole dang thing and I'm happy to share my photos of #SXSHESHREDS with y'all. 

FULL STORY AND ALL PHOTOS HERE!

Thanks for reading, see you out there next year!

xo, Emily

French Vanilla

French Vanilla

French Vanilla

French Vanilla

Speedy Ortiz

Speedy Ortiz

And to close this out, here's me, fresh faced and super stoked to shoot the full day ahead!

equirk
Tags equirk, emily quirk, Emily Quirk, she shreds, She Shreds, She Shreds Mag, sxsw, SXSW, austin, austin texas, Austin, music photography, music photographer, music festival, french vanilla, French Vanilla, Fabi Reyna, fabi reyna, speedy ortiz, sadie dupuis, Sadie Dupuis, sad13
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